Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Slant MagazineUSA

Interview: Sandra Wollner on ‘Everytime’ and Capturing an Atmosphere of Absence

11.02

“I’m better at making films than describing them, I hope,” writer-director Sandra Wollner joked as she unpacked the thought process behind a scene in her film Everytime .

Read at Slant Magazine ↗

One letter a week, starting soon.

Latest

Interview: Sandra Wollner on ‘Everytime’ and Capturing an Atmosphere of Absence

More from Slant Magazine on Cinepuuulse

USA‘Hen’ Review: György Pálfi’s Weirdo Chicken’s-Eye Odyssey Pecks at Human Cruelty Slant Magazine

USAReview: Mario Bava’s ‘Planet of the Vampires’ on Radiance 4K UHD Blu-ray Slant Magazine

USAInterview: Lance Hammer on ‘Queen at Sea’ and Making Art That Refuses Moral Certainty Slant Magazine

USARian Johnson and Steve Yedlin’s New iPhone App Puts Their Movie Look in Your Pocket Slant Magazine

USAReview: David Robert Mitchell’s ‘The End of Oak Street’ on Warner Bros. 4K UHD Slant Magazine

USA‘Behemoth!’ Trailer: Pedro Pascal Faces the Music in Tony Gilroy’s Film-Scoring Drama Slant Magazine