Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Slant MagazineUSA

Review: David Robert Mitchell’s ‘The End of Oak Street’ on Warner Bros. 4K UHD

10.29

For many, the summer box office is synonymous with dinosaurs thanks to the Jurassic World series, which has all but cornered the market on prehistoric mayhem.

Restorations & revivals

Read at Slant Magazine ↗

One letter a week, starting soon.

Latest

Review: David Robert Mitchell’s ‘The End of Oak Street’ on Warner Bros. 4K UHD

Related

USA‘L’Innocente’ Trailer: Luchino Visconti’s Final Film Gets a 50th-Anniversary 4K Restoration Slant Magazine

USA‘The Blair Witch Project’ 4K UHD Blu-ray Giveaway Slant Magazine

USA4K Blu-ray Review: Guillermo del Toro’s ‘Frankenstein’ on the Criterion Collection Slant Magazine

ArgentinaRe-estrenos: ‘Estación zombie’ (‘Train to Busan’), de Yeon Sang-ho Micropsia

‘The Host’ Trailer: Bong Joon Ho’s Monster Movie Classic Returns To Theaters In 4K With Edgar Wright Conversation The Playlist

“Hellraiser: Revival” Has Such Sights to Show You RogerEbert.com