Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

The Hollywood Reporter

‘You Can See Everything’ Is a Gothic Romance for the Ages

10.19

Here’s why Nathan Fielder and Lance Oppenheim’s hit doc is a shared-unreality narrative soon to be taught in film schools alongside 'Rebecca,' 'Gaslight' and 'Mulholland…

Romance & melodrama

Read at The Hollywood Reporter ↗

One letter a week, starting soon.

Latest

‘You Can See Everything’ Is a Gothic Romance for the Ages

Related

Japan野村康太＆上坂樹里、愛重め彼氏とのラブストーリー『不可抗力のI LOVE YOU』3月公開 Cinemacafe

Hong KongDisney+ K-drama The Remarried Empress: Shin Min-a reigns in lavish royal romance fantasy SCMP Film

ChinaDivorcés Starring in TV Romances? China’s Internet Isn’t So Sure Sixth Tone

Hong KongDisney+ K-drama Between Steps: Kim So-hyun, Choo Young-woo in Ahn Pan-seok’s final romance SCMP Film

AsiaReview: Teochew Hit “Dear You” Is Great Melodrama, But Doesn’t Fix China’s Soft Power Deficits Cinema Escapist