Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.

Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.

We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.

Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.

Thank you for reading. ありがとうございます。

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Yoon Dan-bi: “O primeiro amor marca um momento de grande transformação”

September 16

Sete anos depois de Moving On, que conquistou mais de uma dezena de prémios no seu percurso festivaleiro, incluindo em Busan e Roterdão, a sul-coreana Yoon Dan-bi regressa às longas-metragens com The…

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Yoon Dan-bi: “O primeiro amor marca um momento de grande transformação”

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