Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

CinemalditoSpain

Trailer para Un peu avant minuit de Nicolas Pariser

10.23

Nicolas Pariser sigue con sus pequeñas afrentas sociales en el cine. Tras Los consejos de Alice se fija en el #MeeToo en Un peu avant minuit , que tuvo su premiere en la SO de Venecia.

Read at Cinemaldito ↗

One letter a week, starting soon.

Latest

Trailer para Un peu avant minuit de Nicolas Pariser

More from Cinemaldito on Cinepuuulse

SpainMicrocríticas de estreno: 23 de octubre (2026) Cinemaldito

SpainLos niños están bien (Nathan Ambrosioni) Cinemaldito

SpainLa aventura del contrabando. Trailer para Meteorito Cinemaldito

SpainTrailer oficial para Zi de Kogonada Cinemaldito

SpainTrailer para el documental Jaleos de Isaki Lacuesta Cinemaldito

SpainPaul Urkijo Alijo prepara el thriller psicológico Las tres olas Cinemaldito