Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

CinemalditoSpain

Trailer para The Day After Sunday

10.28

[13/08/26] Tras realizar su debut con Sigue volando , por la que se alzaría con el premio a Mejor película en Cinema Jove, Takuya Katō regresa ahora con un nuevo trabajo titulado The Day After Sunday…

Read at Cinemaldito ↗

One letter a week, starting soon.

Latest

Trailer para The Day After Sunday

More from Cinemaldito on Cinepuuulse

SpainSick (Agata Trzebuchowska) Cinemaldito

SpainRito (Emilio Belmonte) Cinemaldito

SpainV/H/S/Mixtape (Ernest R. Dickerson, Flying Lotus, Tobias Forge, David Moreau, RZA, Renee Zhan) Cinemaldito

SpainLeviticus (Adrian Chiarella) Cinemaldito

SpainOn Becoming a Guinea Fowl (Rungano Nyoni) Cinemaldito

SpainEstrenos de la semana: 30 de octubre (2026) Cinemaldito