Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Cinecittà NewsItaly

Tinto Brass, da Cinecittà il ricordo di Saccone e Cacciamani

11.04

Nel giorno della scomparsa, il presidente Antonio Saccone e l’amministratore delegato Manuela Cacciamani ricordano a nome di Cinecittà la figura di Tinto Brass , regista che in oltre quarant’anni di…

Read at Cinecittà News ↗

One letter a week, starting soon.

Latest

Tinto Brass, da Cinecittà il ricordo di Saccone e Cacciamani

More from Cinecittà News on Cinepuuulse

ItalyBorgonzoni: “Faremo in breve tempo decreti attuativi legge cinema” Cinecittà News

ItalyPrix Palatine, parte la quinta edizione Cinecittà News

Italy‘Un weekend artificiale’, l’AI secondo Leonardo Pieraccioni Cinecittà News

ItalyLegge Cinema, il Coordinamento Autori e Autrici Cinecittà News

ItalyLa Bottega della Sceneggiatura, i vincitori Cinecittà News

ItalyTinto Brass. L’irriverenza di un anarchico, la sensibilità di un pittore Cinecittà News