Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Corre CamaraMexico

Teatro: «Todavía podemos ser felices». El amor se acaba, pero la música sigue

11.01

Una comedia sobre el desamor, la crisis del amor moderno y los amigos que se vuelven hermanos elegidos

Read at Corre Camara ↗

One letter a week, starting soon.

Latest

Teatro: «Todavía podemos ser felices». El amor se acaba, pero la música sigue

More from Corre Camara on Cinepuuulse

MexicoCrítica: «One Woman One Bra». Tierra, cuerpo y mirada colonial Corre Camara

MexicoTeatro: «El Gordo y El Flaco». Cuando la rutina pesa más que el amor Corre Camara

Mexico«Silly Little Hat». O el pasamontañas y su contexto Corre Camara

MexicoTeatro: «Aquila Sapiens, Sapiens». El águila que juzga a la humanidad en escena Corre Camara

MexicoTeatro: «D’Mente». Ari Telch y el monólogo que desnuda la bipolaridad con humor Corre Camara

MexicoPropaganda fílmica nada sutil Corre Camara