Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Le Film français — CinémaFrance

TCCF 2026 - Une 7e édition marquée par l'IA dès son ouverture

11.06

Organisé par Taicca jusqu'en début de semaine prochaine, le rendez-vous taïwanais s'est ouvert sur la signature d'un accord majeur avec Weta FX.

Read at Le Film français — Cinéma ↗

One letter a week, starting soon.

Latest

TCCF 2026 - Une 7e édition marquée par l'IA dès son ouverture

More from Le Film français — Cinéma on Cinepuuulse

FranceAmazon MGM Studios distribuera "L'affaire Thomas Crown" en France Le Film français — Cinéma

FranceBO 1er jour : "L’affaire Marie-Claire" prend la tête Le Film français — Cinéma

FranceCinéode en redressement judiciaire Le Film français — Cinéma

FranceLe GNCR désigne ses nouveaux soutiens Le Film français — Cinéma

FranceLe MK2 Bibliothèque se réinvente Le Film français — Cinéma