Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Le Film français — CinémaFrance

Tandem actualise son programme

10.27

La société ajoute trois films à son line-up, dont une comédie française.

Read at Le Film français — Cinéma ↗

One letter a week, starting soon.

Latest

Tandem actualise son programme

More from Le Film français — Cinéma on Cinepuuulse

FranceKMBO date deux films d’animation Le Film français — Cinéma

FranceLa Ville de Chatou se mobilise pour la réouverture du Cinéma Louis-Jouvet Le Film français — Cinéma

FranceLes Arcs 2026 : La présidente du jury courts métrages désignée Le Film français — Cinéma

FranceMetropolitan date "You Can See Everything" Le Film français — Cinéma

FranceBO Unifrance : "La fille dans les nuages" s'illustre en Russie Le Film français — Cinéma

FranceApollo Films densifie son line-up Le Film français — Cinéma