Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Cinecittà NewsItaly

‘Se domani non torno’ porta in sala 65mila studenti

10.27

300 cinema, 500 scuole, 65.000 studenti in tutta Italia. Sono i numeri dell’adesione all’anteprima per le scuole di Se domani non torno , il film diretto da Paola Randi e distribuito da Notorious…

Read at Cinecittà News ↗

One letter a week, starting soon.

Latest

‘Se domani non torno’ porta in sala 65mila studenti

More from Cinecittà News on Cinepuuulse

Italy‘You Can See Everything’, il trailer del doc evento Cinecittà News

ItalyIl Fellini segreto nel libro di Gianfranco Angelucci Cinecittà News

Italy‘Picciriddi’, concluse a Catania le riprese del film di Lorenzo Collalti Cinecittà News

ItalyVite in musica, da Maria Callas a Compay Segundo Cinecittà News

ItalyEuro Balkan Festival dal 31 ottobre al 7 novembre Cinecittà News

ItalyIvan Reitman: non solo Ghostbusters Cinecittà News