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銀幕

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映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every six hours, linked to the original

About

Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

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SCREEN OnlineJapan

【映画ファン“こそ”注目の海外ドラマ／PART1】あの世界に再びハマる！

11.07

人気映画の原作を再映像化したものから、映画と直接つながる物語まで、夢中になったあの世界に再び浸れるドラマたち！（文・平沢薫／デジタル編集・スクリーン編集部）カバー画像：「エデンの東」より Netflixシリーズ「エデンの東」独占配信中

Streaming K-drama & series 注目情報動画配信エデンの東ハリー・ポッターと賢者の石

Read at SCREEN Online ↗

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