Skip to content

銀幕

Latest

Festivals

映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every six hours, linked to the original

About

Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

IFFRNetherlands

Managing Director Clare Stewart to step down after IFFR 2027

September 17

IFFR Managing Director Clare Stewart – who jointly leads the organisation with Festival Director Vanja Kaludjercic – is stepping down from

Directors News Press release

Read at IFFR ↗

Related

AsiaHong Kong Filmmakers Share Their Stories in Kuala Lumpur Asian Film Awards Academy

EuropeInterview: Manuel Wetscher • Director of Eklipse - “It’s about engaging with my own material and exploring how it can be used artistically” - Venice 2026 – Orizzonti Cineuropa

EuropeInterview: Olivier Pairoux • Director of Vigilante - "Genre films allow you to explore new environments in a dynamic way" - BRIFF 2026 Cineuropa

EuropeInterview: Ann Sirot, Raphaël Balboni • Directors of Diane in the Loop - "The western cannot be reserved for male wounds" - Venice 2026 - Orizzonti Cineuropa

EuropeInterview: Shalini Adnani • Director of Our Share of Sand - "I tried to look at the microcosm of a family and how it reflects society" - Venice 2026 - International Film Critics’ Week Cineuropa

EuropeInterview: Boris Hadžija, Hoda Taheri • Directors of I Plant My Hand in the Garden - “Our films are always somehow in a continuous conversation with one other” - Venice 2026 - Giornate degli Autori Cineuropa

More from IFFR on Cinepuuulse.