Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Cinecittà NewsItaly

‘Hollow Paths’: corto italiano in concorso allo Yami Festival di Tokyo

11.04

Hollow Paths , cortometraggio scritto e diretto da Francesco Madeo , è l’unica produzione italiana selezionata nella Short Competition della prima edizione dello Yami International Film Festival di…

Festivals & awards Japan-inspired

Read at Cinecittà News ↗

Asia‘Alice in Borderland’ Star Isomura Hayato on the Role He Was Warned Off, Judging Tokyo’s Ethical Film Award and Why Japanese Cinema Needs Government Backing Variety Asia

One letter a week, starting soon.

Latest

‘Hollow Paths’: corto italiano in concorso allo Yami Festival di Tokyo

Related

AsiaKurosawa Award Winner O Mipo Is ‘Making Up for Lost Time’ After Career Break to Raise Her Sons Variety Asia

Kurosawa Award Winner O Mipo Is ‘Making Up for Lost Time’ After Career Break to Raise Her Sons Variety

Live! from the 39th Tokyo International Film Festival with Mark Asch and Katie Rife The Film Stage

Asia‘Alice in Borderland’ Star Isomura Hayato on the Role He Was Warned Off, Judging Tokyo’s Ethical Film Award and Why Japanese Cinema Needs Government Backing Variety Asia

FranceA Tokyo, le Festival international du film affiche ses ambitions culturelles et financières Le Monde — Cinéma

Commonality and Differences: Kenji Ishizaka on Asian Future at the Tokyo International Film Festival The Film Stage