Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

The CurbAustralia

Hell on Earth is here and now in The Glorious Dead

October 2

The Adams Family’s dark comedy horror take on contemporary America: The Glorious Dead is chilling, gruesome, and all too real I don’t think it is nostalgia that gives me a rose-tinted view of life…

Read at The Curb ↗

One letter a week, in your inbox.

Latest

Hell on Earth is here and now in The Glorious Dead

More from The Curb on Cinepuuulse

AustraliaTake our first reader survey and help shape the Curb into the independent website you want to visit The Curb

AustraliaArlo Dean Cook on capturing decades of one of Australia’s greatest bands on film with Jebediah: Are We OK? The Curb

AustraliaNoughts Report Part 6: 2006 – From All the Boys Love Mandy Lane to World Trade Centre The Curb

AustraliaCulture Clash: Stéphane Demoustier on the battle between vision and reality in The Great Arch The Curb

AustraliaMichael Schwarz on his clever and fun small town slasher The Only One The Curb

AustraliaFantastic Fest 2026: Ürei is a Chilling Story of Generational Trauma The Curb