Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Eye for FilmUK

Foreign Tongue - Jennie Kermode - 20558

October 12

The third feature to be directed by Sarajevo-born Boris Mojsovski, Foreign Tongue begins as it intends to go on, with a quote attributed to Carl Jung: “The privilege of a lifetime is to become who…

Read at Eye for Film ↗

One letter a week, starting soon.

Latest

Foreign Tongue - Jennie Kermode - 20558

More from Eye for Film on Cinepuuulse

UKLow Expectations - Lehel Fazakas - 20555 Eye for Film

UKWuthering Heights: House Of The Damned - Jennie Kermode - 20554 Eye for Film

UKThe Debut - Amber Wilkinson - 20553 Eye for Film

UKPosthumous - Jennie Kermode - 20552 Eye for Film

UKTender Loving Care - Amber Wilkinson - 20551 Eye for Film

UKV/H/S/Mixtape - Jennie Kermode - 20550 Eye for Film