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Festivals

映画祭 · What's on the festival calendar, the films each region is talking about this week, and what its press is covering — in English

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.

Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.

We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.

Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.

Thank you for reading. ありがとうございます。

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Senses of Cinema

Filmmaking at the end of the world: The Quiet Earth

August 3Work

Is there a more convincing definition of Aotearoa New Zealand cinema than Geoff Murphy’s three-film directorial run of Goodbye Pork Pie (1981), Utu (1983), and The Quiet Earth (1985)? Films had always been made in New Ze

CTEQ Annotations on Film

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Filmmaking at the end of the world: The Quiet Earth

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