Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Cinecittà NewsItaly

Filippo Timi, pudore e dolcezza per Gino e Giulia Cecchettin

10.23

“Accettare che si facesse questo film è stata una scelta molto difficile, però già con il libro avevo visto che raccontando la storia d Giulia ti ritorna tanto indietro .

Read at Cinecittà News ↗

One letter a week, starting soon.

Latest

Filippo Timi, pudore e dolcezza per Gino e Giulia Cecchettin

More from Cinecittà News on Cinepuuulse

ItalyEnrico Vanzina: “La sera a Roma, il film della mia maturità” Cinecittà News

ItalyStrumenti innovativi per il settore audiovisivo europeo Cinecittà News

Italy‘Il ghiaccio in tasca’: Giuseppe Sinopoli secondo suo figlio Cinecittà News

ItalyCorea, case history di successo e nuovi progetti Cinecittà News

ItalyMIA oltre 2.800 professionisti per la 12ma edizione Cinecittà News

ItalyBagnoli Rossi (Fapav): “Fare sistema contro la pirateria audiovisiva” Cinecittà News