Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Cinecittà NewsItaly

Festa del Cinema. Dal red carpet di ‘ChiaroScuro’

October 18

Cosmo Speranza (Pierpaolo Spollon) è il miglior art advisor sul mercato. Anche il più piccolo dettaglio è sufficiente per permettergli di capire se un’opera d’arte sia vera o falsa.

Read at Cinecittà News ↗

One letter a week, starting soon.

Latest

Festa del Cinema. Dal red carpet di ‘ChiaroScuro’

More from Cinecittà News on Cinepuuulse

ItalyFesta del Cinema. Dal red carpet di ‘Klara e il Sole’ Cinecittà News

ItalyLAIKA, la meravigliosa ostinazione di fare cinema con le mani Cinecittà News

ItalyPierluca Di Pasquale e Rathiger, dalla graphic novel al film Cinecittà News

Italy‘Chiaroscuro’, Spollon: “L’arte è un gioco, dovremmo guardarla di più” Cinecittà News

ItalyFesta del Cinema. Dal red carpet di ‘El ser querido’ Cinecittà News

ItalyJavier Bardem a Roma: “I premi vanno festeggiati e dimenticati” Cinecittà News