Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

IndieWire

Don’t Forget, Oscar Watchers: ‘The Odyssey,’ ‘Project Hail Mary,’ and Other Big Guns Are Coming Back

11.03

The studios are ramping up their blockbusters for Oscar consideration as "Disclosure Day" star Emily Blunt hits the promo trail and "The Odyssey" Best Actor front-runner Matt Damon takes on "Project…

Read at IndieWire ↗

More from IndieWire on Cinepuuulse

‘The Intertwining’ Review: Two Medical Students Uncover Buried Truths in Tense Psychological Drama IndieWire

Billy Evans Hosts AMA on (His Own) X Account: ‘You Can See Everything’ Subject on Not Being a Cocaine Fan, Going Full Frontal, and What His Cousin’s Thing Was IndieWire

Taika Waititi’s Delusional ‘Klara and the Sun’ Instagram Post Exemplifies the Dangers of a Growing Divide Between Critics and Artists in the Digital Age IndieWire

One letter a week, starting soon.

Latest

Don’t Forget, Oscar Watchers: ‘The Odyssey,’ ‘Project Hail Mary,’ and Other Big Guns Are Coming Back

More from IndieWire on Cinepuuulse

‘The Intertwining’ Review: Two Medical Students Uncover Buried Truths in Tense Psychological Drama IndieWire

Billy Evans Hosts AMA on (His Own) X Account: ‘You Can See Everything’ Subject on Not Being a Cocaine Fan, Going Full Frontal, and What His Cousin’s Thing Was IndieWire

Even Netflix Is Turning to AI to Help Audiences Figure Out What to Watch IndieWire

To Follow Her Best Picture Win, Siân Heder Opted to Make ‘the Hardest Story She Could Imagine’ IndieWire

How to Make IndieWire a Preferred Source on Google IndieWire

Taika Waititi’s Delusional ‘Klara and the Sun’ Instagram Post Exemplifies the Dangers of a Growing Divide Between Critics and Artists in the Digital Age IndieWire