Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Corre CamaraMexico

Crítica: «Iron Boy». Infancia, nostalgia y libertad bajo la mirada de Louis Clichy

October 14

Película encantadora que nos recuerda que la mejor animación no está precisamente dirigida a un público infantil

Read at Corre Camara ↗

One letter a week, starting soon.

Latest

Crítica: «Iron Boy». Infancia, nostalgia y libertad bajo la mirada de Louis Clichy

More from Corre Camara on Cinepuuulse

MexicoCrítica: «Rose». La reinterpretación femenina del Caso Martin Guerre Corre Camara

MexicoCrítica Netflix: «Susurran tu nombre». Un thriller muy clásico y efectivo Corre Camara

MexicoCrítica: «Digger». El exceso como provocación Corre Camara

MexicoBatalla de críticos: podcast de crítica y análisis de cine Corre Camara

Mexico«Tierra de mi padre». Entre el padre, los hijos y las ruinas de una patria Corre Camara

MexicoCrítica: «El corazón de la bestia». Veteranos de guerra en el corazón de las tinieblas Corre Camara