Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

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Variety

Collage, a New Management and Investment Company, Launches as a Bridge Between AI-First Studios and Hollywood (EXCLUSIVE)

10.19

As Hollywood continues to navigate the plethora of questions surrounding AI and its place in the industry, one former talent agent hopes to be the link between everyone involved.

AI in film

Read at Variety ↗

VietnamKhó ai làm được như Điền Hi Vi Tuoi Tre

VietnamNữ chính nhiều phim AI 'dùng chung một khuôn mặt' VnExpress

France"J'ai écrit un scénario, mais…" : Quentin Tarantino donne des nouvelles de son dixième et dernier film AlloCiné — actu ciné

AustraliaGenerate Crew seeks generative VFX trainee for ‘high-profile’ production in Sydney IF Magazine

France“J’ai voulu des images qui donnent le temps de réfléchir à ce qui s’est passé à Gaza” : entretien avec le réalisateur de “Qui vit encore” Télérama — Cinéma

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