Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.
Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.
We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.
Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.
Thank you for reading. ありがとうございます。
銀幕
![[Box-office] “La Vie d’une femme” réalise un très bon score au premier jour](https://www.lesinrocks.com/wp-content/thumbnails/uploads/2026/09/2-t-1450x800.jpg)
![‘Magazine’ Review: An Intern Learns Life Lessons At A New York Literary Magazine [TIFF]](https://cdn.theplaylist.net/wp-content/uploads/2026/09/11153356/MagazineTIFF2026-1024x597.jpg)