Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

IndieWire

Carrie Coon on ‘The Liberation,’ Life After ‘White Lotus,’ and Why Hollywood ‘Places Limitations’ on Actors — ‘Screen Talk’ Podcast Interview

10.30

The charming "Gilded Age" star joins IndieWire's "Screen Talk" to discuss her magnetic performance as a Holocaust survivor, life as an actor on the "top of the B list," and her family's eclectic home…

Read at IndieWire ↗

One letter a week, starting soon.

Latest

Carrie Coon on ‘The Liberation,’ Life After ‘White Lotus,’ and Why Hollywood ‘Places Limitations’ on Actors — ‘Screen Talk’ Podcast Interview

More from IndieWire on Cinepuuulse

Netflix’s ‘Cliff Booth’ Won’t Play on Cinemark or Regal’s IMAX Screens IndieWire

‘Ramayana: Rise of a Legend’ Review: India’s National Epic Gets a Fittingly Massive Cinematic Treatment IndieWire

The 1973 ‘The Wicker Man’ Is a Classic, but Neil LaBute’s Loathed 2006 Remake Is Even Better IndieWire

‘Everest: The Other Side’ Review: A Grieving Ski Mountaineer Scales the Face of Death in Chai Vasarhelyi and Jimmy Chin’s Climbing Doc IndieWire

Ian McKellen Honors His Friend Patrick Stewart: ‘The Most Respected and Beloved Actor of His Generation’ IndieWire

Patrick Stewart Never Took His Gravitas for Granted, Even When He Was Subverting It IndieWire