Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

CinemalditoSpain

Buscando la liberación. Trailer para The Liberation de Guy Nattiv

11.03

Guy Nattiv sigue intrigado por la narrativa más realista, historias reales que él transforma en la ficción para reflexionar sobre sus personajes.

Read at Cinemaldito ↗

One letter a week, starting soon.

Latest

Buscando la liberación. Trailer para The Liberation de Guy Nattiv

More from Cinemaldito on Cinepuuulse

SpainImágenes exclusivas para Sour Minnows de Harrison Atkins Cinemaldito

SpainSiempre soy tu animal materno (Valentina Maurel) Cinemaldito

SpainGugusse et l’Automate (Georges Méliès) Cinemaldito

SpainEstrenos de la semana: 6 de noviembre (2026) Cinemaldito

SpainSesión doble: Las brujas (1966) / Hellbender (2021) Cinemaldito

SpainJavier Giner… a examen Cinemaldito