Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

IndieWire

Artists Equity’s Amy Baer on Building a Sustainable Indie Model with Movies That Don’t Star Matt Damon or Ben Affleck

10.22

The production label's president of film and TV discusses the newly-launched Artists Equity Independent Pictures and how to apply their unique model to smaller films.

Indie & debut

Read at IndieWire ↗

One letter a week, starting soon.

Latest

Artists Equity’s Amy Baer on Building a Sustainable Indie Model with Movies That Don’t Star Matt Damon or Ben Affleck

Related

USAFrom “Data Tracking” to a Creative Thought Partner: How Indie Filmmakers Can Turn AI into a Strategic Compass Film Threat

IndiaSikander Kher says he didn’t use surname in first film: ‘I didn’t want both my dads to feel…’ Indian Express — Bollywood

IrelandShort Film Review: Fat Film Ireland

UKExclusive First Look at the BIFA 2026 Best British Short Film Longlist Directors Notes

Asia44th Busan International Short Film Festival – Call for Entry 2027 Asian Film Festivals

UKCraig Bingham Demonstrates How “Restraint Breeds Creativity” with His Mythic Fantasy Sci-Fi Short ‘FARANOOKA’ Directors Notes