Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Variety

‘Angh’ Review: Toronto’s Platform Award Winner Is a Lush Lament for an Indian Tribe in the 1960s

September 20

Expanding on his 2021 short film, Theja Rio’s debut feature “Angh” forces its way into the hidden crevices between indigenous identity and colonial modernity.

Festivals & awards Indie & debut

Read at Variety ↗

One letter a week, in your inbox.

Latest

‘Angh’ Review: Toronto’s Platform Award Winner Is a Lush Lament for an Indian Tribe in the 1960s

Related

Asia20 Must-see short films from the 28th Seoul International Women’s Film Festival 2026 (Part 2) Asian Film Festivals

Asia20 Must-see short films from the 28th Seoul International Women’s Film Festival 2026 (Part 1) Asian Film Festivals

Asia23rd Cheongju International Short Film Festival – Opening Film 2026 Asian Film Festivals

Zach Cregger’s ‘Resident Evil’ Grossed More in Its Opening Weekend Than the First Film Made in Its Entire Run IndieWire

Which Fall Festival Favorites Are Now in the Oscar Race? IndieWire

CanadaDarlene Love: I Know Where I’ve Been Wins TIFF People’s Choice Documentary Award POV Magazine