Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Hyperallergic FilmUSA

A Portrait of an Artist as a Dominatrix

09.10

Olivia Wilde plays Erika Tracy, a contemporary art superstar-slash-sociopath (is there a difference?) in the super-fucked-up love story that is I Want Your Sex (2026) — and “fuck” is an operative…

Read at Hyperallergic Film ↗

One letter a week, starting soon.

Latest

A Portrait of an Artist as a Dominatrix

More from Hyperallergic Film on Cinepuuulse

USABarbara Hammer Through Her Own Lens Hyperallergic Film

USASix Films on Art and Resistance at BlackStar Film Festival Hyperallergic Film

USA“American Doctor” Is an Indictment of US Leadership and Media Hyperallergic Film

USAMaori Karmael Holmes Looks Back on 15 Years of BlackStar Hyperallergic Film

USAThe Thorny Politics of Protest Photography Hyperallergic Film

USATell Us, O Muse, of Elon Musk's Racist AI Version of "The Odyssey" Hyperallergic Film