Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

Deadline

2026 Worldwide Box Office Headed To Near $36B, Best Since 2019

10.30

Box office authority Gower Street Analytics has revised their 2026 annual global ticket sales forecast to $35.7 billion, up 2.9% from their previous estimate which they reported at April’s CinemaCon.

Box office

Read at Deadline ↗

One letter a week, starting soon.

Latest

2026 Worldwide Box Office Headed To Near $36B, Best Since 2019

Related

France[Box-office France] : “Moulin” s’impose largement en tête des nouveautés Les Inrocks — Cinéma

UKUK-Ireland box office preview: ‘Wicker’ weaves its way into 676 cinemas for Black Bear Screen Daily Reviews

MalaysiaMalay Mail’s Top 10 picks: ‘Clayface’ earns positive debut but fails to dethrone India’s ‘Jailer 2’ at Malaysian box office Malay Mail Showbiz

FranceFilm chinois 100% IA : bonne nouvelle, c’est un immense échec au box-office Écran Large

IndiaMollywood's overseas tonic: How global collections are powering Kerala's box office Onmanorama — Entertainment

India‘Ranabaali’ director Rahul Sankrityan on box office vs. legacy: A film remains forever The Hindu — Movies