Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo

← Cinepuuulse Archive

film.org.plPoland

10 znakomitych HORROROWYCH trylogii

11.07

W horrorze powrót do znajomego domu bywa bardziej ryzykowny niż pierwsza wizyta, zwłaszcza gdy gospodarz zdążył już umrzeć, a… producent zamówił kolejny film.

Horror & thriller

Read at film.org.pl ↗

One letter a week, starting soon.

Latest

10 znakomitych HORROROWYCH trylogii

Related

AsiaAplikasi Iblis: Indonesian Horror Film Connects the Living With the Dead Asian Horror Hub

AsiaTobira wo Aketara: Japanese Horror-Fantasy Gets January 2027 Release Asian Horror Hub

SpainTrailer para el thriller coreano Tristes tropiques, de Park Hoon-jung Cinemaldito

AsiaDavika Hoorne Returning for ‘Inherit’ Sequel, Director Banjong Pisanthanakun Confirms (EXCLUSIVE) Variety Asia

Davika Hoorne Returning for ‘Inherit’ Sequel, Director Banjong Pisanthanakun Confirms (EXCLUSIVE) Variety

Japan【インタビュー】『クレイフェイス』監督ジェームズ・ワトキンス監督 SCREEN Online