Télérama — Cinéma: latest Asian cinema stories | Cinepuuulse

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銀幕 /

Télérama — Cinéma

25 stories

Venice 2026: 'Primetime', Lance Oppenheim's Failed Thriller on American Reality TV

Télérama — CinémaFranceVenice 2026: 'Primetime', Lance Oppenheim's Failed Thriller on American Reality TV

‘Succederà Questa Notte’ – Nanni Moretti Disappoints at Venice with Romantic‑Comedy Style

Télérama — CinémaFrance‘Succederà Questa Notte’ – Nanni Moretti Disappoints at Venice with Romantic‑Comedy Style

Emin Alper, Director of 'Salvation': 'Turkish Artists Find Public Engagement Very Difficult'

Télérama — CinémaFranceEmin Alper, Director of 'Salvation': 'Turkish Artists Find Public Engagement Very Difficult'

Venice 2026 Exhibition: "Mr. Nelson, Did You Kill People?" – Journey of an Afro‑American Ex‑Marine

Télérama — CinémaFranceVenice 2026 Exhibition: "Mr. Nelson, Did You Kill People?" – Journey of an Afro‑American Ex‑Marine

Danny Boyle Revisits 'Trainspotting': "You Can't Do Better Than This for Anti‑Heroin Campaigns"

Télérama — CinémaFranceDanny Boyle Revisits 'Trainspotting': "You Can't Do Better Than This for Anti‑Heroin Campaigns"

Venice Biennale 2026: ‘15/18’ by Cédric Kahn – a feverish closed‑room drama on youth in distress

Télérama — CinémaFranceVenice Biennale 2026: ‘15/18’ by Cédric Kahn – a feverish closed‑room drama on youth in distress

Tony Gatlif’s Five Rebellious Films: From Latcho Drom to Tom Medina

Télérama — CinémaFranceTony Gatlif’s Five Rebellious Films: From Latcho Drom to Tom Medina

Director Julien Gaspar‑Oliveri on ‘La Frappe’: ‘I Long Felt Victim of My Origins’

Télérama — CinémaFranceDirector Julien Gaspar‑Oliveri on ‘La Frappe’: ‘I Long Felt Victim of My Origins’

Venice 2026: ‘Bucking Fastard’, Werner Herzog’s Strange Fable About Twin‑Fusionists

Télérama — CinémaFranceVenice 2026: ‘Bucking Fastard’, Werner Herzog’s Strange Fable About Twin‑Fusionists

Tony Gatlif Dies; Remembering His Legacy of Romani Culture

Télérama — CinémaFranceTony Gatlif Dies; Remembering His Legacy of Romani Culture

Ten Professors on Screen Everyone Would Have Loved… or Not

Télérama — CinémaFranceTen Professors on Screen Everyone Would Have Loved… or Not

Jean‑Paul Rappeneau Dies; TV Networks Reschedule Programming in Tribute

Télérama — CinémaFranceJean‑Paul Rappeneau Dies; TV Networks Reschedule Programming in Tribute

Pierre Salvadori: "Jean‑Paul Rappeneau’s Films Spark a Happy Intoxication"

Télérama — CinémaFrancePierre Salvadori: "Jean‑Paul Rappeneau’s Films Spark a Happy Intoxication"

From 'Savage' to 'Cyrano de Bergerac': Jean‑Paul Rappeneau's five landmark films

Télérama — CinémaFranceFrom 'Savage' to 'Cyrano de Bergerac': Jean‑Paul Rappeneau's five landmark films

At Venice Film Festival, Maggie Gyllenhaal affirms cinema's inevitably political nature

Télérama — CinémaFranceAt Venice Film Festival, Maggie Gyllenhaal affirms cinema's inevitably political nature

15 Great Films You May Have Missed on Streaming Platforms This Year

Télérama — CinémaFrance15 Great Films You May Have Missed on Streaming Platforms This Year

Jean‑Paul Rappeneau, as Told by His Co‑Author: 'He Saw Every Moment Through a Filmmaker’s Lens'

Télérama — CinémaFranceJean‑Paul Rappeneau, as Told by His Co‑Author: 'He Saw Every Moment Through a Filmmaker’s Lens'

Jean‑Paul Rappeneau Dies; Filmmaker Who Captured Life at Full Speed

Télérama — CinémaFranceJean‑Paul Rappeneau Dies; Filmmaker Who Captured Life at Full Speed

Alba Rohrwacher on the Poster of 'Three Farewells': 'Playing Marta Was Both Painful and Wonderful'

Télérama — CinémaFranceAlba Rohrwacher on the Poster of 'Three Farewells': 'Playing Marta Was Both Painful and Wonderful'

What to Watch at the Movies This Week? Our Critical Picks for Wednesday, September 2

Télérama — CinémaFranceWhat to Watch at the Movies This Week? Our Critical Picks for Wednesday, September 2

Death of Michel Fano, Composer and Sound Magician Who Brought Unique Music to Film

Télérama — CinémaFranceDeath of Michel Fano, Composer and Sound Magician Who Brought Unique Music to Film

Box Office: Spider‑Man Tops All Superheroes; Odyssey Continues Its Momentum

Télérama — CinémaFranceBox Office: Spider‑Man Tops All Superheroes; Odyssey Continues Its Momentum

The Strange Festival 2026: Our Favorites from Its Wild Lineup

Télérama — CinémaFranceThe Strange Festival 2026: Our Favorites from Its Wild Lineup

Cinema Lover’s Calendar: Six Must‑See Events in Paris This Week

Télérama — CinémaFranceCinema Lover’s Calendar: Six Must‑See Events in Paris This Week

Festivals

映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.

Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.

We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.

Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.

Thank you for reading. ありがとうございます。