ScreenAnarchy: latest Asian cinema stories

ScreenAnarchy

4 stories

ScreenAnarchyVlissingen 2026 Review: YOURI, A Great Film About A Great Friendship The Film by the Sea festival in Vlissingen (a.k.a. Flushing) started this year on a high note with its opening film Youri, by Sander Burger. The festival always has a large section dedicated to literary adaptations, and

September 14

ScreenAnarchyCelluloid Screams 2026: Sheffield Horror Film Festival Announces Lineup With spooky season running head on like a psycho killer wielding a machete our attention turns to the regional genre festivals that happen around the UK. Every year we check in on our friends at Celluloid Screams, the ho

September 13

ScreenAnarchyMOTELX 2026 Award Winners: NO REST FOR THE WICKED And MANCAVE win Best European films, IT'S CHICO TIME! wins Best Portuguese Short The twentieth edition of this year's MOTELX film festival is drawing to a close today. The award winners were announced yesterday, so it is time for a bit of catch up. The Méliès d’argent Awards for the best European sho

September 13

ScreenAnarchyToronto 2026 Review: Singaporean Drama AH GIRL Elevated by Assured New Director and Astonishing Young Lead The debut feature from Singaporean writer-director Ang Geck Geck Priscilla is a semi-autobiographical story of a family’s separation, as seen through the eyes of a seven year old girl. Struggling to fully understand the

September 12

Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.

Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.

We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.

Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.

Thank you for reading. ありがとうございます。