Montages: latest Asian cinema stories | Cinepuuulse

Skip to content

銀幕 /

Montages

20 stories

MontagesNordicsBalansekunst: Talking with Sondre Lerche & Thomas Robsahm About 'Wonderboy'

MontagesNordicsFilmfrelst #676: Series Review – The Shards

MontagesNordicsHans Petter Moland’s Adaptation of Markens Grøde Nominated as Norway’s Oscar Entry

MontagesNordicsPix Awards of the Year Presented to Nipster and Petrolheads

MontagesNordicsAnalysis: ‘Trango’ (2025)

MontagesNordicsFive Films You Should Watch on Oslo Pix

MontagesNordicsAffeksjonsverdi Wins Eight Amanda Awards

MontagesNordicsAnalysis: 'The Count' (2025)

MontagesNordicsKVIFF at War (2026): Defences Breached but Movies Endure

MontagesNordicsMarken's 'Grøde' Opens BIFF – Watch the Fresh Trailer

MontagesNordicsEskil Vogt’s New Feature Receives NFI Funding – Psychological Thriller About Art and Power

MontagesNordicsFilmfreest #675: David Robert Mitchell’s ‘The End of Oak Street’

MontagesNordicsDisclosure Day Stirs Us With an Empty Gaze

MontagesNordicsA Bloody Roller‑Coaster Ride Across the Mediterranean: The Odyssey

MontagesNordicsMaren Ade Returns as Director with "Das Zauberwort" – Ten Years After "My Dad Toni Erdmann"

MontagesNordicsMike Leigh Signals Career Milestone with "Tender Loving Care"

MontagesNordicsFilmfest #674: Sophie Romvaris – Blue Heron

MontagesNordicsAnja Breien and May 17th: Five Years After and Fifty Years After

MontagesNordicsAnalysis: My First Love (2026)

MontagesNordicsFirst teaser trailer and new poster for Curse of Kane by Even G. Benestad & August B. Hanssen

Festivals

映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.

Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.

We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.

Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.

Thank you for reading. ありがとうございます。