Les Inrocks — Cinéma: latest Asian cinema stories

Les Inrocks — Cinéma

10 stories

Les Inrocks — CinémaFranceOur Favorite of 'Goodbye Cruel World' and Its Enchanting Anachronism

September 5

Les Inrocks — CinémaFranceCatherine and Liliane Make Their Grand Return to the Big Screen

September 4

Les Inrocks — CinémaFranceLa Frappe Leads Weekly Opening Weekend

September 4

Les Inrocks — CinémaFranceAfter ‘Seize Printemps’, Suzanne Lindon Returns to the Director’s Chair with ‘L’Équipe’

September 4

Les Inrocks — CinémaFranceWhere Will We Soon See Actress Indie Navarrette Again from ‘Obsession’?

September 4

Les Inrocks — CinémaFranceFestival 2026 showcases its top 10 event films for the 83rd edition

September 4

Les Inrocks — CinémaFranceTony Gatlif, Filmmaker of Romani Culture and Music, Dies

September 4

Les Inrocks — CinémaFrance'Dix Pour Cent, the Film': Camille Cottin and Her Crew Keep Their Bite

September 3

Les Inrocks — CinémaFrance83rd Venice Biennale: A More Political Edition?

September 3

Les Inrocks — CinémaFranceLéa Drucker: 'Jodie Foster was the first actress I identified with'

September 3

Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.

Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.

We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.

Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.

Thank you for reading. ありがとうございます。