Gower Street Analytics

9 stories

Gower Street AnalyticsGower Street CEO Dimitrios Mitsinikos Discusses 2026 YTD and Latest Projections on CJ Cinema Summit Gower Street CEO Dimitrios Mitsinikos appeared on the latest edition of Celluloid Junkie’s CJ Cinema Summit.

10.30

Gower Street AnalyticsSolid September Closes Best Quarter of the Decade at Global Box Office Including another soft China result, the September global total was $2.1 billion.

10.11

Gower Street AnalyticsSpinning Records: All-time August Global Record is also Highest Grossing Month this Decade! Global box office was a massive $4.645 billion in August; the highest grossing August of all-time and the #1 month this decade.

09.06

Gower Street AnalyticsSizzling Summer: Spider-ssey and Family Favourites Sweep July to Epic $3.9bn Global box office Global box office tally for July stands at $3.9 billion.

08.09

Gower Street AnalyticsKeeping the Momentum: 2026 sees Highest Grossing June, Quarter, and First Half this Decade for International and Domestic Box Office Film friends old and new keep the summer season hot around the world in June. The month held the high levels of past months at the global box office grossing $2.81 billion.

07.05

Gower Street AnalyticsA-May-zing!: Diverse Roster of Hits Drives Global Box Office Above Pre-Pandemic Heights! In May the global box office escalated the positive developments of the year so far grossing a massive $3.2 billion globally, the highest box office of 2026.

06.05

Gower Street Analytics7 DOGS Dominates Eid al-Adha Holiday Weekend with Record Openings across Middle East This past weekend saw Saudi-Egyptian co-production 7 DOGS dominate the Middle East box office.

06.01

Gower Street AnalyticsMario, Michael & Mary Catapult Global Box Office to $2.63bn in April The total Global box office at the end of April is estimated at $10.6 billion.

05.10

Gower Street AnalyticsGower Street Revises 2026 Global Box Office Estimate Ahead Of Cinemacon Gower Street Analytics has reviewed and revised its 2026 Global box office projection to $34.7 billion.

04.12

Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo