Deadline — AI

6 stories

Deadline — AI‘Wildwood’ Director Hopes People “See The Danger” In GenAI, Calls It “Antithetical” To Laika’s Work As Laika debuts its latest stop-motion animation, Travis Knight is standing firmly against generative AI.

10.22

Deadline — AIStage 32 Launches Marketplace To Combat AI Slop EXCLUSIVE: Script platform Stage 32 has launched an official marketplace to partly help combat an influx of AI-written projects.

10.22

Deadline — AI10 Prophetic Sci-Fi Films That Predicted Modern A.I. And Its Ethical Dilemmas Science fiction has long stood at the forefront of technological foresight. But what happens when the dream becomes a nightmare?

10.14

Deadline — AIBen Affleck Used AI For “Lots Of Things” In Netflix’s ‘Animals’: “It’s A Very Human Movie” After unloading his AI firm on Netflix earlier this year, Ben Affleck is showing off the tech in action with his latest project.

10.02

Deadline — AIDubai’s MForMedia & Arcana Labs Sign AI Production Pact For Middle East EXCLUSIVE: Dubai’s MForMedia will look to add AI workflows into its productions following a deal with Arcana Labs.

09.30

Deadline — AIBBC Boss Matt Brittin Says He Was Sent A ‘Doctor Who’ Episode Entirely Generated By AI: “It Was Pretty Good” An artificial intelligence-generated episode of Doctor Who was “pretty good,” according to BBC Director General Matt Brittin.

09.29

Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo