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銀幕

Awards Daily

9 stories

Awards DailyUSA2027 Oscar Predictions: You Can See Everything and the Hive Mind As I watched Nathan Fielder and Lance Oppenheim appear on Scott Feinberg’s documentary panel at the Savannah Film Festival, I was thinking, “Wow, they’re really going for it.” They’re doing the Oscar…

Awards DailyUSALet’s Talk Cinema with Jerm: A Halloween Spooktacular “They did the monster mash, it was a graveyard smash!” Happy Halloween week, my friends! Halloween has always been a favorite holiday of mine.

Awards DailyUSAThe 36th Annual Gotham Award Nominees A precursor known for not following the status quo, here is what the Gotham Film Awards have nominated for the year of 2026.

Awards DailyUSABest Picture: Can Fjord Win Hearts and Minds? After Fjord won the Palme d’Or at Cannes, there were rumblings that it was supposedly a Conservative film, a “MAGA movie.” But this is not true.

Awards DailyUSAMontclair Film Festival Announces 2026 Competition & Audience Award Winners MONTCLAIR FILM FESTIVAL ANNOUNCES 2026 COMPETITION & AUDIENCE AWARD WINNERS POSSIBLE LOVE directed by Lee Chang-dong wins the 2026 Montclair Film Festival Fiction Feature Competition REHEARSALS FOR A…

Awards DailyUSANextGen Oscarwatcher – Discussing Potential Narratives of the Season With the conclusion of the Montclair Film Festival (the fifteenth year to be exact), all that’s really left to see before the precursor starts to chime in includes Denis Villeneuve’s Dune: Part Three…

Awards DailyUSAFirst 17 Minutes of Cliff Booth Shown at AFI Greetings from Barstow, California, as I make my way across the country, so I couldn’t attend the Once Upon a Time in Hollywood screening at AFI and probably won’t get to see the movie until after it…

Awards DailyUSA2027 Oscar Predictions: Hollywood Should Not Give Up On Itself I get that I am no longer in the target demographic for the awards race. Younger generations—millennials and Gen Z—are taking over and trying to shape what the Oscars will be.

Awards DailyUSAEp. 102 – Your Oscar Primer for You Can See Everything Sasha Stone, Scott Kernen, and Jeremy Jentzen discuss the Oscar chances of Nathan Fielder and Lance Oppenheim’s You Can See Everything and what it would take to get it into the various guilds.

Festivals

映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every six hours, linked to the original

About

Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo