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銀幕

Asian Film Awards Academy

10 stories

Asian Film Awards AcademyAsiaAsian Film Awards Academy and Busan International Film Festival Co-Host Star-Studded “Hong Kong Night” Co-host star-studded “Hong Kong Night” ZHANG Yimou and SON Suk-ku make surprise appearances. Fala CHEN, Lokman YEUNG, Hedwig TAM, Maggie SHIU, Nancy SIT, Jonathan WONG and Derek TSANG gather to…

Asian Film Awards AcademyAsiaAsian Film Academy Awards’ “International Film Camp 2026” Concludes Successfully Five-day intensive training programme in Macao; “international film camp network” launched. LAM Ka Tung calls veteran actors an “untapped treasure”; Fala CHEN encourages young filmmakers to pursue…

Asian Film Awards AcademyAsiaInternational Film Camp 2026 Convenes in Macao for Creative Exchange International Film Camp 2026 gathers filmmakers in Macao to connect, exchange ideas, and unleash creativity.

Asian Film Awards AcademyAsiaInternational Film Camp 2026 – Five Days of Creation: From Macau to Asia, Passing the Torch to Light up Asian Cinema’s future From vertical short dramas to film festival markets, from AI creation to human warmth: a diverse programme lets filmmakers’ creativity and potential fully blossom.

Asian Film Awards AcademyAsiaIn-Depth Dialogue with the Creative Team: Exploring Friendship, Love, and Family Through Film The Hong Kong Film Gala Presentation returned to Cambodia from September 4 to 6, 2026. The creators shared behind-the-scenes insights on translating personal promises and theatrical influences into…

Asian Film Awards AcademyAsiaHong Kong Film Gala Presentation — Singapore: Filmmakers share behind-the-scenes challenges Hong Kong Film Gala landed in Singapore, share their on-set experiences. From transitioning from screenwriting to directing to navigating tight shooting schedules and capturing dynamic action shots…

Asian Film Awards AcademyAsiaHong Kong Filmmakers Share Their Stories in Kuala Lumpur From on-set mishaps and audition setbacks to lessons learned over decades in film, Hong Kong filmmakers shared candid stories of their journeys, challenges and passion for cinema with audiences and…

Asian Film Awards AcademyAsiaHong Kong Film Gala Brings New Hong Kong Cinema to Kuala Lumpur Keane WONG, Angela YUEN, Kathy WONG, Kevin CHU, Renci YEUNG, Elaine JIN and Joey WU joined Malaysian audiences for film screenings, post-screening Q&As, university talks and a special exhibition…

Asian Film Awards AcademyAsiaHong Kong Film Gala Presentation in Bangkok Wraps Up with a Celebration of Hong Kong Cinema Hong Kong and Thai filmmakers came together to exchange ideas and connect with audiences through cinema.

Asian Film Awards AcademyAsiaHong Kong Film Gala Presentation in Bangkok with Exclusive Installation Exhibition Leads Audiences Through the Surreal and the Real of Hong Kong Cinema. Joey WU, Catherine CHAU, Yukki TAI and Ronald LAM Share Their Creative Journeys and Celebrate the Diversity of Hong Kong Cinema.

Festivals

映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every six hours, linked to the original

About

Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo