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銀幕

Streaming

Signal of the week · Streaming · 41 stories, +37 vs last week

Streaming: 41 stories in seven days, +37 on the week before.

Hong KongNetflix K-drama Dead-End Job: Squid Game meets supernatural horror in uneven thrill ride SCMP Film

AsiaDisney+ to Name New Australia Commissioner, Keeps Southeast Asia ‘On the Menu’ as It Triples Local Output Variety Asia

Latest

シネマトゥデイJapan『ガンダムSEED FREEDOM ZERO』2027年1月15日公開決定！シン・アスカ主人公で「フリーダム強奪事件」描く映画『機動戦士ガンダムSEED FREEDOM』（2024）へとつながる前日譚『機動戦士ガンダムSEED FREEDOM ZERO』が、2027年1月15日より劇場公開されることが決定し、主人公シン・アスカを中心に描いたティザービジュアルと予告編が公開された。

Indian Express — BollywoodIndiaNana Patekar laid to rest with full state honours at Pune farmhouse

Deadline‘Furiosa’ Duo Alyla Browne & Elsa Pataky Lead Cast In ‘Chiquita’; Screen Australia, Umbrella & Essential Film Group Among Partners EXCLUSIVE: Furiosa: A Mad Max Saga duo Alyla Browne and Elsa Pataky are among the ensemble cast for Australian feature Chiquita, which has started production in Byron Bay, Australia.

MicropsiaArgentinaEstrenos online: crítica de ‘Matchbox: la película’, de Sam Hargrave (Apple TV) En la serie The Studio , una de las bromas recurrentes de un episodio consistía en tratar de contratar a Martin Scorsese para que dirigiera una película basada en el Kool-Aid Man , la mascota de esa…

Indian Express — BollywoodIndiaWhen Nana Patekar asked students to look for God in humans: ‘Humanity is the only religion’

Anime News NetworkJapanLive-Action 5 Centimeters Per Second Film Screens in N. America on October 23 Film also gets home video release

CinemalditoSpainSu propio infierno (Nicolas Winding Refn) Si Nicolas Winding Refn es considerado un cineasta eminentemente visual no es solo por su predilección por la imagen —desde elementos tan primordiales como la puesta en escena, la iluminación o el…

Slant MagazineUSA‘La Bola Negra’ Review: Los Javis’ Epic Tribute to Lorca Placates Spain’s Collective Guilt Javier Calvo and Javier Ambrossi’s La Bola Negra is a film of ruptures, and it begins with its most striking one.

Tuoi TreVietnamCổ Thiên Lạc, Tom Cruise thua lỗ Trường hợp của 'Digger' và 'Trinh chiến' cho thấy những ngôi sao như Tom Cruise hay Cổ Thiên Lạc đều không còn đủ sức bảo chứng cho doanh thu phòng vé.

Tuoi TreVietnamTop 5 phim đáng xem nhất của huyền thoại điện ảnh Hong Kong Châu Nhuận Phát Trong hơn bốn thập kỷ hoạt động nghệ thuật, Châu Nhuận Phát trở thành một trong những gương mặt tiêu biểu nhất của điện ảnh Hong Kong, đặc biệt ở dòng phim hành động.

The PlaylistBen Affleck Says He Was “Too Young And F*cking Stupid” To Know Better When He Mocked ‘Armageddon’ On Its DVD Commentary There are great DVD commentaries, and then there’s Ben Affleck ’s commentary for “ Armageddon, ” arguably one of the greatest of all time, not for its illuminating insights into the filmmaking…

IndieWire‘Cupertino’ Review: Robert and Michelle King’s Slick and Spiky Legal Drama Takes on Today’s Most Noxious Tech In "The Good Fight" creators' latest whipsmart procedural, Mike Colter and Rachel Keller play lawyers representing the little guys exploited by Big Tech — including viewers exasperated by Silicon…

Festivals

映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo