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銀幕

Box office

Signal of the week · Box office · 13 stories, +9 vs last week

Box office: 13 stories in seven days, +9 on the week before.

Korea'The Assassin(s)' claims Chuseok box office crown as admissions top 1.3 mil. The Korea Times

IndiaAfter Haiwaan box office failure, Priyadarshan rules out serious films with Akshay Kumar Indian Express — Bollywood

Latest

Tuoi TreVietnamAvengers: Endgame Encore phá nát cái kết để 'dọn đường' cho Avengers: Doomsday? Avengers: Endgame trở lại rạp với 4 cảnh mới nhưng lại gây tranh luận vì bị cho là làm xáo trộn cái kết của bom tấn năm 2019.

Tuoi TreVietnamĐoàn phim Trại buôn người 'chơi lớn', tài trợ luôn một lễ hội đua bò để quay phim Để có phân cảnh đua bò ấn tượng ở đầu phim, đoàn phim tài trợ cho một lễ hội đua bò có thật, rồi xin phép ban tổ chức cho đoàn phim quay đúng 30 phút ở mỗi trận.

Corre CamaraMexicoCrítica: «Nocturno». Daniel Giménez Cacho y la culpa que nunca deja de mirar Un hombre que, a los 62 años, sigue cargando con la culpa de haber matado a su hermana a los 17. Un monólogo desgarrador

IndieWireA24’s ‘Primetime’ Opens to Impressive $19.2 Million Proving Robert Pattinson’s Box Office Drawing Power Pattinson's road to commercial viability has been bumpy at times, but with "The Drama" and "The Odyssey,” he's having one hell of a 2026.

The Korea TimesKorea'The Assassin(s)' claims Chuseok box office crown as admissions top 1.3 mil. The Chuseok holiday box office has found its clear winner. Director Hur Jin-ho's historical thriller "The Assassin(s)" held the top spot for four consecutive days since its Sept.

The Korea TimesKoreaFruitful reunion: Jeon Do-yeon reemerges as Lee Chang-dong's muse in 'Possible Love' Director Lee Chang-dong’s new film, “Possible Love,” is generating buzz at international film festivals and meeting audiences in Korea.

Écran LargeFranceWerwulf : bande-annonce rugissante pour le film de loup-garou de Robert Eggers (Nosferatu) Werwulf, le nouveau film réalisé par Robert Eggers (Nosferatu), se dévoile dans une bande-annonce avec Aaron Taylor-Johnson.

DeadlineFilmNation CEO Glen Basner Talks Art Of Film Sales & Financing: “It’s Really Just About Sitting & Listening To The Filmmaking Team” – Zurich Summit FilmNation Entertainment Founder and CEO Glen Basner will receive the Game Changer Award this evening at the Zurich Summit, the annual industry event aimed at fostering transatlantic connections…

Baradwaj RanganIndiaInterview: Fahadh Faasil, SS Karthikeya (‘Don’t Trouble The Trouble’) For more, subscribe to GALATTA PLUS: https://tinyurl.com/ysbkyrh Copyright ©2026 GALATTA.

Indian Express — BollywoodIndia‘I felt hurt’: Bosco Martis was taken aback by Vivek Oberoi’s ‘attitude’ after Company

CinePOPBrazilCrítica | ‘Yellow Cake’ – Uma sonolenta caça a mosquitos radioativos (CIneBH 2026) Rapidamente definido como um experimento que logo se transforma em um desastre, o longa-metragem Yellow Cake é um sci-fi brasileiro que tenta conduzir o público por alguns debates que cercam as…

MicropsiaArgentinaEstrenos online: crítica de ‘Adolescencia, sexo y muerte en Campamento Miasma’ (‘Teenage Sex and Death at Camp Miasma’), de Jane Schoenbrun (MUBI) Si uno quisiera resumir en una sola frase qué es, aproximadamente, Teenage Sex and Death at Camp Miasma podría decir que es la respuesta de MUBI a Stranger Things de Netflix.

Festivals

映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo