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銀幕

Directors

Signal of the week · Directors · 43 stories, +25 vs last week

Directors: 43 stories in seven days, +25 on the week before.

Japan神木隆之介、“世界のタカシ”山崎貴監督に感服『ゴジラ-0.0』の熱量「前作を上回る」シネマトゥデイ

Asia‘Train to Busan’ Director Yeon Sang-ho’s ‘Paradise Lost’ Clinches 118-Country Sales Ahead of Hawai‘i Festival U.S. Bow Variety Asia

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Tuoi TreVietnam'Tùng Jun' hôn 'Phương' trong Xóm nhỏ khiến khán giả thương 'Khánh khổ' của Mùa hè năm ấy Bình luận dưới trailer phim Xóm nhỏ sắp chiếu trên VTV, khán giả nói vui đây chắc chắn là phần 2 của phim Mùa hè năm ấy.

The Korea TimesKorea'Ugly Duckling Ms. Maeng' tackles high-stakes drama of Korea's CSAT Director Lee Yong-jae said he chose the College Scholastic Ability Test (CSAT) as the subject of his debut movie “Ugly Duckling Ms.

Le Film français — CinémaFranceLa SRF présente la 4e édition de son programme de parrainage et marrainage La Société des réalisatrices et réalisateurs de films (SRF) révèle les 62 cinéastes qui participeront au compagnonnage cette année.

IONCINEMAInterview: Benjamín Naishtat & Esteban Bigliardi – Glaxo

The Korea TimesKoreaKorean singer-songwriter eldon brings his 'Comic Book' world to life with Asia, US tour Korean singer-songwriter eldon kicked off his first-ever world tour Saturday, bringing his “Comic Book” series to Asia and the U.S.

Indian Express — BollywoodIndia‘Indian doctors were threatened by me’: Madhuri Dixit’s husband Dr Nene on entrepreneurship

Der Spiegel — KinoGermanyElizabeth Holmes: Kinodoku »You Can See Everything« bricht Rekorde 2000 ausverkaufte Vorstellungen: Der Dokumentarfilm »You Can See Everything« über die verurteilte Betrügerin Elizabeth Holmes ist sensationell angelaufen.

CinePOPBrazil‘Dirty Dancing 2’: Sequência promete homenagear Patrick Swayze sem usar inteligência artificial Os fãs de ‘Dirty Dancing – Ritmo Quente‘ podem se preparar para uma continuação emocionante. A aguardada sequência do clássico de 1987 promete homenagear Patrick Swayze, intérprete do inesquecível…

Indian Express — BollywoodIndia‘She is a devotee’: Why Yash feels Sai Pallavi is perfect to play Sita in Ramayana

Indian Express — BollywoodIndiaGenZ reacts to Madhavan-Dia Mirza’s RHTDM: Why was stalking, toxic masculinity cool?

The Hollywood ReporterEdward Berger Talks Filmmaking in a Streaming Age: “The Movie Industry Needed Netflix to Wake Up” The German filmmaker told the MIA Market in Rome a "failure" with ‘World War Z’ opened the way to an eventual Oscar-winning ‘Conclave’ collaboration.

FotogramasSpainCristianos conservadores contra Netflix y Meryl Streep: por qué es absurda la polémica con la nueva película de 'Narnia' dirigida por Greta Gerwig El lanzamiento del tráiler ha desatado la polémica: la reinterpretación psicodélica, musical y monumental de Greta Gerwig podría ser justo lo que Narnia necesita, aunque no todos están dispuestos a…

Festivals

映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every six hours, linked to the original

About

Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo