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銀幕

Festivals & awards

Signal of the week · Festivals & awards · 183 stories, +172 vs last week

Festivals & awards: 183 stories in seven days, +172 on the week before.

Vợ Ronaldo và dàn sao khoe trang sức kim cương tại Venice

VietnamVợ Ronaldo và dàn sao khoe trang sức kim cương tại Venice Tuoi Tre

13th Kolkata People’s Film Festival – Call for Entry 2027

Asia13th Kolkata People’s Film Festival – Call for Entry 2027 Asian Film Festivals

Latest

Sau 17 năm, chỉ The Odyssey mới đủ sức chạm đến con số 'khủng'

Tuoi TreVietnamSau 17 năm, chỉ The Odyssey mới đủ sức chạm đến con số 'khủng' Bom tấn The Odyssey trở thành phim Hollywood không phải phần hậu truyện hay remake đầu tiên cán mốc 1 tỉ USD tại phòng vé quốc tế kể từ Avatar năm 2009.

Hậu Tây Du Ký: Mở ra hành trình 'thỉnh kinh' AI

Tuoi TreVietnamHậu Tây Du Ký: Mở ra hành trình 'thỉnh kinh' AI Hậu Tây Du Ký là minh chứng cho bước tiến của AI trong sản xuất phim truyền hình, đồng thời cho thấy thị trường đang ngày càng đặt cược vào tiềm năng của công nghệ này.

Dia Oito: O Sopro do Espírito

CinePOPBrazilDia Oito: O Sopro do Espírito (Día ocho) Elenco: Juan Ángel Angeline Monegro Fahdly Samira Direção: José Gómez Gênero: Drama Duração: 90 min. Distribuidora: Kolbe Arte Produções Orçamento: US$ — milhões Estreia: 12 de Novembro de 2026 Sinopse: Em DIA

IF MagazineAustraliaChrysoulla Markoulli joins Christine Luby’s ‘The Most Wonderful Secret’ as AGSC Credit Maker recipient Sydney-based composer and sound designer Chrysoulla Markoulli has joined Christine Luby's Queensland-shot feature 'The Most Wonderful Secret' as the Australian Guild of Screen Composers' (AGSC) first Credit Maker recipie

Vợ Ronaldo và dàn sao khoe trang sức kim cương tại Venice

Tuoi TreVietnamVợ Ronaldo và dàn sao khoe trang sức kim cương tại Venice Khám phá những màn xuất hiện trang sức ấn tượng nhất trên thảm đỏ Liên hoan phim Venice 2026.

China’s Short-Drama Boom Was Built on Speed. Then AI Got Faster.

Sixth ToneChinaChina’s Short-Drama Boom Was Built on Speed. Then AI Got Faster. AI-powered production is upending China’s ultrashorts market, cutting shoots, budgets, and specialized crew work while forcing companies to find cheaper ways to keep live-action production viable.

Linda Cardellini Tearfully Calls First Emmy Win “A Real Dream Come True”

The Hollywood ReporterLinda Cardellini Tearfully Calls First Emmy Win “A Real Dream Come True” Cardellini won the best supporting actress in a limited or anthology series or movie award for her performance in 'DTF St. Louis,' which also took home a few other trophies at the awards show on Sunday.

Linda Cardellini Wins First Emmy For ‘DTF St. Louis’: “A Real Dream Come True”

DeadlineLinda Cardellini Wins First Emmy For ‘DTF St. Louis’: “A Real Dream Come True” Linda Cardellini, joined her onscreen husband from DTF St. Louis in winning her first Emmy Award for her role in the HBO dark comedy series. She rook the trophy Sunday night in the Outstanding Supporting Actress in a Lim

Inside China’s Shift From Short-Drama Sets to AI Factories

Sixth ToneChinaInside China’s Shift From Short-Drama Sets to AI Factories

Inside the Chinese AI Studio Shrinking Short-Drama Crews to One

Sixth ToneChinaInside the Chinese AI Studio Shrinking Short-Drama Crews to One Former animators, cinematographers, and VFX artists are helping build AI systems that can script, storyboard, generate, and revise short dramas with unprecedented speed.

Rob Reiner Wins Posthumous Emmy Award For ‘The Bear’

DeadlineRob Reiner Wins Posthumous Emmy Award For ‘The Bear’ In his last major TV role, Rob Reiner did a three-episode arc on Season 4 of FX’s The Bear. Today, the late filmmaker won a posthumous Emmy Award for his performance in the Guest Actor in a Comedy Series category. No one

Human Animals is a painful punch to the gut for viewers whose history is bound up with the ongoing dehumanisation of indigenous people

The CurbAustraliaHuman Animals is a painful punch to the gut for viewers whose history is bound up with the ongoing dehumanisation of indigenous people Keren Tova Rubinstein was born in Haifa and now lives in Naarm. She holds a PhD in Israel Studies and has taught Hebrew language and literature in Australia, the US and Canada. She translates articles from Hebrew for The

Festivals

映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.

Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.

We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.

Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.

Thank you for reading. ありがとうございます。