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銀幕

Festivals & awards

Signal of the week · Festivals & awards · 179 stories, +138 vs last week

Festivals & awards: 179 stories in seven days, +138 on the week before.

Kurosawa Kiyoshi’s Cannes Title ‘The Samurai and the Prisoner’ Sells Wide for Charades (EXCLUSIVE)

AsiaKurosawa Kiyoshi’s Cannes Title ‘The Samurai and the Prisoner’ Sells Wide for Charades (EXCLUSIVE) Variety Asia

Nepal’s Oscar Contender ‘Elephants in the Fog’ Rallies Flood Relief Efforts at Toronto and Beyond (EXCLUSIVE)

AsiaNepal’s Oscar Contender ‘Elephants in the Fog’ Rallies Flood Relief Efforts at Toronto and Beyond (EXCLUSIVE) Variety Asia

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Hàng trăm người cùng hàng tấn thiết bị vào quay phim ở Văn Miếu - Quốc Tử Giám được không?

Tuoi TreVietnamHàng trăm người cùng hàng tấn thiết bị vào quay phim ở Văn Miếu - Quốc Tử Giám được không? Nhà sản xuất Trần Thị Bích Ngọc đặt câu hỏi cho TS Lê Xuân Kiêu - Giám đốc Trung tâm Hoạt động văn hóa khoa học Văn Miếu - Quốc Tử Giám, tại tọa đàm Điện ảnh và di sản.

Sử thi Ramayana, bom tấn có kinh phí 500 triệu USD, đổ bộ rạp Việt

Tuoi TreVietnamSử thi Ramayana, bom tấn có kinh phí 500 triệu USD, đổ bộ rạp Việt Câu chuyện về Rama và Ravana được lưu truyền hàng nghìn năm, chính thức lên màn ảnh rộng trong Sử thi Ramayana, bom tấn có kinh phí lên tới 500 triệu USD.

‘Possible Love’ Review: Lee Chang-dong’s Portrait Of Economic Disparity Is An Eulogy For The Working Class

The Playlist‘Possible Love’ Review: Lee Chang-dong’s Portrait Of Economic Disparity Is An Eulogy For The Working Class At this point, are Korean filmmakers more tapped into the zeitgeist of global inequality than anyone else? From Bong Joon-ho to Hwang Dong-hyuk to Park Chan-wook , the most striking narratives about surviving in this cur

Avec “La Ligne bleue”, Marie Dumora filme les mémoires encore vives du camp du Struthof

Les Inrocks — CinémaFranceAvec “La Ligne bleue”, Marie Dumora filme les mémoires encore vives du camp du Struthof Marie Dumora filme les dernier·ières témoins de l’Occupation et leurs descendant·es autour du camp de concentration du Struthof, en Alsace.

Giọt lệ kim tiền: phim xưa trở lại trên THVL1

Tuoi TreVietnamGiọt lệ kim tiền: phim xưa trở lại trên THVL1 Hương - cô gái nghèo hiền lành - chịu nhiều oan ức khi bước vào cuộc hôn nhân với người con trai trưởng của gia đình chủ hiệu buôn Thịnh Phát trong phim truyền hình mới Giọt lệ kim tiền.

Korean film 'Hope' reaps $5 mil. in 1st week of N. America release

The Korea TimesKoreaKorean film 'Hope' reaps $5 mil. in 1st week of N. America release The Korean sci-fi thriller "Hope" logged nearly $5 million in its first week of release in North America, the film's distributor said Tuesday. The figure came after the alien blockbuster reaped $1.1 million on its openin

Venice Winner ‘Woman Unknown’ Unveils New Deals Including France In Wake Of Golden Lion Victory

DeadlineVenice Winner ‘Woman Unknown’ Unveils New Deals Including France In Wake Of Golden Lion Victory Trust Nordisk has unveiled fresh deals for Danish-Egyptian director May el-Toukhy’s Woman Unknown following its Golden Lion win at the Venice Film Festival. New sales include to Memento for France, as well as Spain (Karm

‘La terra dell’estate’, al via le riprese del film di Maddalena Ravagli

Cinecittà NewsItaly‘La terra dell’estate’, al via le riprese del film di Maddalena Ravagli Sono attualmente in corso in Sicilia le riprese de La terra dell’estate , lungometraggio che segna il debutto alla regia di Maddalena Ravagli . Il set rimarrà attivo sul territorio per una durata complessiva di cinque se

‘OTT platform rejected Hanuman Ansh’: Director recalls 14-year struggle behind Rs 270 cr hit

Indian Express — BollywoodIndia‘OTT platform rejected Hanuman Ansh’: Director recalls 14-year struggle behind Rs 270 cr hit Doctor-turned-filmmaker Vishal Chaturvedi reflects on the 14-year struggle behind Hanuman Ansh, and why the concept was rejected by a global streaming giant.

‘Odiyan: The Age of Illusion’: Rahul Sadasivan’s film with Prithviraj Sukumaran goes on floors

The Hindu — MoviesIndia‘Odiyan: The Age of Illusion’: Rahul Sadasivan’s film with Prithviraj Sukumaran goes on floors Malayalam horror drama movie ‘Odiyan: The Age of Illusion’, starring Prithviraj Sukumaran and Manju Warrier, marks the Malayalam debut of Karan Johar’s Dharma Productions

Rose Abdoo Can’t Wait for the ‘Gilmore Girls’ Documentary — and Says It ‘Gets Greater Later’ at 63

IndieWireRose Abdoo Can’t Wait for the ‘Gilmore Girls’ Documentary — and Says It ‘Gets Greater Later’ at 63 For the 2026 Emmys, the "Hacks" actress talked about her legacy in Stars Hollow, reflected on sharing the screen with Jean Smart, and discussed embarking on a new chapter with CBS’s “Eternally Yours.”

México, País en Foco de Iberseries & Platino Industria 2026

Audiovisual451SpainMéxico, País en Foco de Iberseries & Platino Industria 2026 México será el País en Foco de Iberseries & Platino Industria 2026, que se celebrará del 29 de septiembre al 2 de octubre en Matadero Madrid. Impulsada por EGEDA México, esta presencia especial de México se dejará nota c

Festivals

映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.

Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.

We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.

Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.

Thank you for reading. ありがとうございます。