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銀幕

Festivals & awards

Signal of the week · Festivals & awards · 174 stories, +163 vs last week

Festivals & awards: 174 stories in seven days, +163 on the week before.

Stay far from battlefield, Japanese director warns at Venice

JapanStay far from battlefield, Japanese director warns at Venice The Japan Times

Venice Film Festival turns gaze on war reporters, media industry

SingaporeVenice Film Festival turns gaze on war reporters, media industry The Straits Times

Latest

Vì sao Bóng ma phố Baker được xem là một trong những anime Conan hay nhất?

Tuoi TreVietnamVì sao Bóng ma phố Baker được xem là một trong những anime Conan hay nhất? Hơn 20 năm sau ngày ra mắt, anime Thám tử lừng danh Conan: Bóng ma phố Baker vẫn thường xuyên được nhắc đến khi bàn về những tác phẩm xuất sắc nhất của loạt phim điện ảnh Conan.

Sau 17 năm, chỉ The Odyssey mới đủ sức chạm đến con số 'khủng'

Tuoi TreVietnamSau 17 năm, chỉ The Odyssey mới đủ sức chạm đến con số 'khủng' Bom tấn The Odyssey trở thành phim Hollywood không phải phần hậu truyện hay remake đầu tiên cán mốc 1 tỉ USD tại phòng vé quốc tế kể từ Avatar năm 2009.

Eli Roth… a examen

CinemalditoSpainEli Roth… a examen

The Film Verdict

The Film VerdictEuropeWoman Unknown A dark secret could upend an upcoming marriage in May el-Thouky’s vibrant and resonant period piece ‘Woman Unknown’, set at the tail end of World War II in Denmark.

Hậu Tây Du Ký: Mở ra hành trình 'thỉnh kinh' AI

Tuoi TreVietnamHậu Tây Du Ký: Mở ra hành trình 'thỉnh kinh' AI Hậu Tây Du Ký là minh chứng cho bước tiến của AI trong sản xuất phim truyền hình, đồng thời cho thấy thị trường đang ngày càng đặt cược vào tiềm năng của công nghệ này.

China’s Short-Drama Boom Was Built on Speed. Then AI Got Faster.

Sixth ToneChinaChina’s Short-Drama Boom Was Built on Speed. Then AI Got Faster. AI-powered production is upending China’s ultrashorts market, cutting shoots, budgets, and specialized crew work while forcing companies to find cheaper ways to keep live-action production viable.

‘Woman Unknown’ review: May el-Toukhy’s Venice competition title is formal yet ferocious post-war Danish drama

Screen Daily ReviewsUK‘Woman Unknown’ review: May el-Toukhy’s Venice competition title is formal yet ferocious post-war Danish drama Mathilde Arcel puts in a terrific lead performance in the director’s follow-up to Long Story Short and Queen Of Hearts

‘Coyote vs. Acme’ sofre queda de apenas -27% em 2º final de semana nos EUA

CinePOPBrazil‘Coyote vs. Acme’ sofre queda de apenas -27% em 2º final de semana nos EUA Sucesso! De acordo com Variety, a comédia ‘Coyote vs. Acme‘ sofreu uma queda de apenas -27% em seu segundo final de semana nos EUA, arrecadando US$ 11.3 milhões. Ao total, o longa já arrecadou US$ 37 milhões no país. Em

Inside China’s Shift From Short-Drama Sets to AI Factories

Sixth ToneChinaInside China’s Shift From Short-Drama Sets to AI Factories

Inside the Chinese AI Studio Shrinking Short-Drama Crews to One

Sixth ToneChinaInside the Chinese AI Studio Shrinking Short-Drama Crews to One Former animators, cinematographers, and VFX artists are helping build AI systems that can script, storyboard, generate, and revise short dramas with unprecedented speed.

Woman Unknown review – postwar paranoia with some deliciously dastardly Du Maurier touches

The Guardian FilmUKWoman Unknown review – postwar paranoia with some deliciously dastardly Du Maurier touches Venice film festival A nanny becomes the new lady of a prosperous Copenhagen house as accused Nazi sympathisers are violently shamed in May el-Toukhy’s shrewd, painful portrait of survival Here is an elegantly appointed

‘Woman Unknown’ Review: Some More Problematic Sex — and Its Consequences — by Denmark’s May el-Toukhy

Variety‘Woman Unknown’ Review: Some More Problematic Sex — and Its Consequences — by Denmark’s May el-Toukhy Against the rubble gray and stiff mahogany with which director May el-Toukhy washes out her post-Second World War Copenhagen, the pops of crimson in “Woman Unknown” announce a stark symbolism that’s about as subtle as th

Festivals

映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.

Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.

We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.

Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.

Thank you for reading. ありがとうございます。