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銀幕

Box office

Signal of the week · Box office · 29 stories, +24 vs last week

Box office: 29 stories in seven days, +24 on the week before.

Japan『踊る大捜査線』最新作が1位に浮上！『映画ちいかわ』が2位、新作は3本ランクインシネマトゥデイ

AsiaChina Box Office: ‘Avengers: Endgame Encore’ Tops Pre-Holiday Weekend Variety Asia

Latest

Tuoi TreVietnamChiếu miễn phí Em bé Hà Nội, Cánh đồng hoang và nhiều phim quý trên sóng truyền hình Kho phim quý (lên tới khoảng 1.000 bộ phim) sẽ lần lượt lên sóng trên các kênh của Cơ quan Báo và Phát thanh, Truyền hình Hà Nội thời gian tới.

Tuoi TreVietnamCơn sốt độc hại từ phim ngắn AI (Kỳ 2): Thao túng tâm lý, 'cuốn' người xem không dứt ra được Vì sao những bộ phim AI với thời lượng ngắn, tình tiết dồn dập và mô típ quen thuộc lại dễ khiến giới trẻ xem hết tập này đến tập khác?

CinegarageMexicoPodcast 1338 María Antonieta y el punk versallesco. Veinte años de su estreno María Antonieta y el punk versallesco Hace 20 años Sofia Coppola sorprendía al mundo con su tercera película.

The Hollywood ReporterCharlie and Martin Sheen Will Star in AMC’s First Multi-Camera Comedy The show, called 'Happy Jack,' is set to begin filming in early 2027.

Tuoi TreVietnamHTV 'tấn công' vào phim ngắn AI Bãi săn trở thành phim ngắn AI đầu tiên do Hãng phim TFS thuộc Đài Phát thanh - Truyền hình TP.HCM (HTV) sản xuất.

The Korea TimesKoreaShort-form film memes fuel buzz but raise box-office doubts Meme culture and short-form videos have overtaken the film marketing industry as marketers increasingly bypass traditional reviews and ratings, opting instead to connect with audiences organically…

Écran LargeFranceThe Uprising déjà sacrifié par le studio après le méga-bide de ce faux Robin des Bois Après une promotion catastrophique, The Uprising aura tenu moins de trois semaines dans les salles avant la sortie en streaming.

The Hollywood ReporterTom Cruise ‘Digger’ Reviews Are Brutally Split: From “Insufferable” to “Terrific” Here's a roundup of the top critic reviews for Alejandro G. Iñárritu's bold new movie.

Indian Express — BollywoodIndiaAlisha Chinai says she auditioned for Qayamat Se Qayamat Tak, left Aamir Khan upset

Variety AsiaAsiaPrime Video, Sony, JioStar, Zee and NDTV Chiefs on How Connected TV Is Reshaping Indian Storytelling Connected TV is changing what Indian media companies make, not just where audiences watch it, with Prime Video now developing shows around whether audiences will watch them together, executives said…

DeadlinePaperAirplane’s Cinemas & Studios Marketing Hub The Hangar Clocks 2 Million-Plus Downloads EXCLUSIVE: The Hangar, the digital asset management platform from exhibitor and distributor theatrical marketing corp PaperAirplane, has clocked over 2 million downloads.

DeadlineTrue Brit Entertainment, UK Film Distributor Founded By Zygi Kamasa, Files For Administration EXCLUSIVE: True Brit Entertainment, the UK theatrical distributor founded by former Lionsgate executive Zygi Kamasa, has effectively filed for Chapter 11 bankruptcy.

Festivals

映画祭 · What's on the festival calendar — Asia first, then the world — the films each region is talking about, and what its press is covering

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Our mark is 銀幕, ginmaku — the silver screen, and the same two characters in Japanese, Chinese and Korean.

I came to Tokyo at twenty-three for a summer job at a Shibuya mini-theatre and the job never quite ended. Fifteen years of festivals later I still think the only review that counts is the one the room gives you: where the laugh lands, the moment three hundred people stop moving at once, whether anybody stays for the credits.

Cinepuuulse follows Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — across about a hundred and twenty sources. A good number of them are Spanish, French and Portuguese, because those countries programme this work seriously and write about it better than most of the English-language trade. Genre and art-house get the same seat here. I am not ranking them, and nothing is scored out of ten.

Each story is a headline, a short excerpt, one still and a link to the outlet that did the reporting. We never republish the piece, and the still belongs to its studio or its photographer. A Korean trade paper appears in Korean, a French review in French. We point at the work; we do not put words in anyone's mouth.

— Daren Wise, Tokyo