Latest

Festivals

映画祭 · What's on the festival calendar, the films each region is talking about this week, and what its press is covering — in English

On view

On screens this week the newest stills from the region's press

The wire the region's press, translated

How Asia watches in 2026 from the industry's own reports

Sources

Fetched every three hours, linked to the original

About

Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.

Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.

We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.

Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.

Thank you for reading. ありがとうございます。

← Cinepuuulse Archive

SCMP FilmHong Kong

How Hong Kong’s Category III adult films made sex and gore mainstream in the 1990s

September 3

While Western exploitation films of the 1960s and 70s – gory, sex-crazed shockers such as Herschell Gordon Lewis’ Blood Feast (1963) and Russ Meyer’s Faster, Pussycat! Kill! Kill! (1965) – were largely confined to low-re

Read at SCMP Film ↗

Latest

How Hong Kong’s Category III adult films made sex and gore mainstream in the 1990s

Related

Hong KongK-drama casting news about Doh Kyung-soo, Kim Do-yeon, Cha Eun-woo, Heo Nam-jun and more SCMP Film

Hong KongWhy Stand by Me remains a dark coming-of-age masterpiece 40 years after its release SCMP Film

Hong KongThe Chinese Mulholland Drive? Why Niu Lai is special even in ‘so bad it’s good’ film lore SCMP Film

Hong KongWakesurf Lovers movie review: Jeffrey Ngai, Renci Yeung defy haters in uneven sports drama SCMP Film

Hong KongWas Mr Hong Kong ‘bad taste’ or ‘great’? Critics and contenders on controversial pageant SCMP Film

Hong KongThe Dog Stars movie review: Ridley Scott’s post-apocalyptic thriller doesn’t always work SCMP Film