ドキュメンタリー

6件

IndieWire『クィア・エドワードII』レビュー：デレク・ジャーマンの親密なドキュメンタリーが、表現力豊かで怒りと芸術性を兼ね備えたクィア抗議の力を映し出す Venice: BTS footage from the 1991 film “Edward II” is given urgent personal and political context in this electrifying debut feature.

9月4日

The Film Stage「Once Upon a Time in Harlem」予告編：今年最優秀ドキュメンタリー、10月公開 The only film to screen at Sundance, Cannes, Telluride, TIFF, NYFF, and London this year, Once Upon a Time in Harlem is far and away the best documentary of 2026. An extraordinary time capsule featuring footage the late

9月3日

The Playlist『Once Upon A Time In Harlem』予告編：ウィリアム・グリーブスの長期未完成ハーレムルネサンスドキュメント、10月16日公開 More than 50 years after William Greaves gathered some of the Harlem Renaissance’s last living luminaries for a filmed party, audiences will finally have an opportunity to see the resulting documentary. NEON has released

9月3日

Asian Film FestivalsAsia第23回EBS国際ドキュメントフェスティバル2026から選ぶ、必見ドキュメンタリー10本 These are ten documentaries you shouldn’t miss at the EBS International Documentary Festival which will run from August 24 – 30, 2026 in Seoul and on EBS 1TV (only in Korean).

8月23日

HanCinemaKorea【ドキュメンタリー新作】『Perfect Shoot』公開日 2026年8月22日 Korean documentary 'Perfect Shoot' added to HanCinema database.

8月22日

Asian Film FestivalsAsia第23回EBS国際ドキュメンタリー祭開幕作品 2026年 Yo (Love is a Rebellious Bird) directed by Anna Fitch and Banker White will open the EBS International Documentary Festival which will take place from August 24 – 30, 2026 in Seoul, South Korea

8月18日

Cinepuuulse is a magazine, a radar and a diary about Asian cinema — Japan, Korea, China, Taiwan, Hong Kong, Vietnam, Thailand — read from Tokyo.

Our mark is 銀幕, ginmaku, the old word for the silver screen; it is the same two characters in Japanese, Chinese and Korean. A magazine, because every week one film is worth reading about slowly. A radar, because we count what the region's screens are talking about — box office, festivals, directors, anime, streaming — and show it as it moves. A diary, because a seal is set each day in that day's colour, and the days add up.

We read the local press in its own languages and bring it over in English: the Japanese film sites, the Korean trade papers, the Chinese culture desks, the Vietnamese and Thai entertainment pages. Everything here links back to the people who made it; the images belong to their authors.

Cinepuuulse will keep changing. New sources, new signals, new ways of looking — a little better each week, never finished. If a film here made you want to buy a ticket, that is enough.

Thank you for reading. ありがとうございます。